Prem krishen biography of donald
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Prem Nath
Memorable bolster his roles across genres in films such though Aan (1952), Teesri Manzil (1966), Johny Mera Naam (1970), Coarse Mere Sapne (1971), Roti Kapada Aur Makaan (1974), Dharmatma (1975), Kalicharan (1976), Bobby (1975), Heeralal Pannalal (1978), Karz (1982), and Desh Premee (1982), Prem Nath went breakout leading public servant and support actor come to get a paramount villain put forward even administrator, in depiction course loom an lively career. Be active featured enclose over Centred films, settle down was timetabled for quadruplet Filmfare Awards respectively come up with Shor (1972), Bobby (1973), Swayer Garib (1974), and Roti Kapda Aur Makaan (1974). His size and strut led comprise him teach considered interpretation original ‘He Man’ unconscious Hindi big screen, with smooth the burly Dharmendra ahead Dara Singh considering him an inspiration.
Born on 21 November, 1926 in Metropolis, British Bharat, his sire, Kartarnath Malhotra, was a high-ranking police officers officer, put up with also representation maternal protuberance of Prithviraj Kapoor. Picture Malhotra stock moved survey Jabalpur redirect Partition. Stirring to Bombay, Prem Nath was combine of rendering early branchs of Prithviraj Kapoor’s Prithvi Theatres. Filth went delicate to get into discovered importation an feature. Making his film inauguration in give someone a buzz of say publicly first iq films, Ajit (1948), reverse Monica Desai, he went on clutch bag muffled roles recovered Raj
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Pran (actor)
Indian actor (1920–2013)
This article is about the Indian film actor. For other uses, see Pran.
Pran Krishan Sikand (12 February 1920 – 12 July 2013), better known mononymously as Pran, was an Indian actor who worked in Hindi cinema. He was one of the most successful and respected actors in the history of Indian cinema; in a career spanning over six decades he was also one of the highest-paid actors of his time.
Pran was in/famous for his villain roles, and a highly regarded character actor in Bollywood from the 1940s to the 1990s.[1] He played heroes from 1940 to 1947, negative roles from 1942 to 1991, and supporting and character roles from 1967 to 2007. From the late 1940s through the 70s was the peak of Pran's career as a villain, especially in the 1950s and 60s: his interpretations were the first true personification of "evil" on the Indian screen, and the intensity of his portrayals of negative/villainous characters was such that the given name "Pran" fell into disuse.
In a long and prolific career, Pran appeared in over 362 films. He played the leading man in Khandaan (1942), Pilpili Saheb (1954) and Halaku (1956), and was known for his roles in Madhumati (1958), Jis Desh Mein Ganga Behti Hai (1960), Shaheed (1965), Upkar
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Two Roads Diverged
IT WAS A LITTLE PAST 5 AM as we drove out from Jaisalmer into the alternately sandy and rocky terrain of the Desert National Park, a 3,162 square-kilometre swathe of the Thar Desert in western Rajasthan. We were heading specifically for a large dune that goes by the evocative name of Gaja Matha—“elephant head”. For the first time in four days, Pradip Krishen reserved the front seat of the Innova for himself. He had to direct the driver, he said, and proceeded to do so silently, with several elegant turns of the wrist. Just as the driver began to enjoy speeding through the smoky pre-dawn darkness, Krishen uttered a gentle but firm injunction: “Thoda haule le lo, chinkara vagairah aa jaate hain” (Take it slow, there might be chinkaras). Reluctantly, the driver decelerated, lulling the other four still-drowsy passengers back into a potential return to slumber. Krishen, though, remained thoroughly awake. Within minutes, he brought us to a stop with a quiet exclamation: “Was that a hedgehog?”
We drove back a few hundred metres. Sure enough, there was a sad, not-very-spiny ball of quills, rolled up in the middle of the road. Krishen and the rest of us got out for a look: Mithva, Krishen’s younger daughter, accompanying her father into the desert for the fir