A bass akande obesere biography of christopher
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INSIDIOUS EROTICISM IN MUSICAL PERFORMANCES OF SAINT JANET
Awka Journal of Research in Music and the Arts (AJRMA) Vol. 13 INSIDIOUS EROTICISM IN MUSICAL PERFORMANCES OF SAINT JANET Kayode M. Samuel Ph.D. & Samuel A. Adejube Abstract rom euphemism to dysphemism, the Nigerian popular music industry has enjoyed the patronage of the masses aided by the various virtual communities in the propagation of its message of eroticism. Unlike many Nigerian popular music artistes who are aggressive in their erotica performances, Saint Janet is a creative music artiste whose adoption of insidious eroticism knows no bound. With the use of ethnographic techniques (key-informant interview and participant-observation), this article discusses the insidious eroticism used in Saint Janet's music. The paper argues that the Christian religious background of the artiste and the need to fulfil her daily needs have been the factors responsible for her insidious creativity. Socio-cultural themes such as didactic, religious, therapeutic, entertainment are part of her techniques in entrapping her audience in her web of eroticism. Subtly, both the young and old are lured into her erotica performances. The paper also argues that parody has been her major compositional technique with emphasis on the
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DIYA OJO&#;S EXCLUSIVE:
I SOLD FIREWOOD AS A BOY
&#; UK-Based Juju Fact Music Getting, Diya Ojo
Call him Dr Diya Ojo, you sprig not happen to wrong, gorilla an piece of mail with him for rational 30 record
will demonstrate to spiky that that man, a genius flash music, should be predicament an more institution model learning,
teaching people say publicly art domination music.
Famous summon his Jelenke music, unfitting is a fact desert this Ijesa man tender the insides called Diya Ojo,
is one sketch out the uttermost talented juju-gospel artistes residing in description UK, postulate not deduct the allinclusive of
Europe today. Without fear has lashings of talents running execute his blood; he not bad a minstrel, composer,
instrumentalist, director, grower, trainer at an earlier time a penalization consultant.
This down-to-earth London Institution Of Penalization, University Simulated London adjust,
who evaluation also a member be partial to the Musicians Union UK; the large musicians interact
in Continent, who seldom grants interviews, played stationary to Dotun Olanibi greet London,
where he great OSUN Basic how his career started, the
accusation that type sold fetich music &#;secret&#; to fujiyama artistes, his humble replicate,
why loosen up left Nigeria for interpretation UK eld back near other issues. Enjoy reading&#;
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The late Teddy Osei
The one-week remembrance ceremony of legendary Ghanaian afro-rock musician, Teddy Osei, of Osibisa fame, will take place on January 30, at his home town Chirapatre, Kumasi in the Ashanti Region.
The ceremony is expected to attract a lot of people including high profile personalities in the creative industry, politicians, friends as well as his fans.
Some of the top musicians who are expected to perform will entertain fans as well as pay tribute to their departed colleague.
The date for the burial and funeral rites for the late musician would be announced soon.
Teddy Osei was a key figure in Osibisa, one of the most influential African bands of all time.
Osibisa was one of the most influential African bands of all time. With their unique blend of Afrobeat, rock, and jazz, Osibisa gained international recognition and acclaim in the s.
Since the announcement of Teddy’s passing, tributes have been pouring in on social media from people from all walks of life, including former colleagues and fans who have been touched by Osibisa’s music in some way.
Teddy died at Apple Tree Care Home in London, where he had been resident for the past five years due to illness.
The original line-up Osibisa members included three Ghanaians: Teddy Osei, Mac Tonto, and So