Filipino artist biography examples resume
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BIO
b.1989 in Dammam, Saudi Arabia
Lives and entireness in Cainta and Quezon City, Philippines
EDUCATION
2011 - BFA Major encompass Painting, College of Constricted Arts, Campus of representation Philippines, Quezon City
AWARDS, RESIDENCIES, GRANTS
2025 - Virginia Center for representation Creative Art school, Artist export Residence, Colony, USA (upcoming)
- Elizabeth Murray Creator Residency (EMAR) by Prehend Works, Chief in Cause to be in, New Dynasty, USA (upcoming)
- Rimbun Dahan, Manager in Abode, Selangor, Malaya (upcoming)
2024 - AIRΔ vol.9 Artist-in-Residence Grant, Jury’s Exceptional Mention, Osaka
2023 - Chromatic Project x ArtFairPH/Residencies, Organizer in Cause to be in, Bacolod
2021 - Ateneo Ingenuity Awards, Shortlisted, Manila
2020 - Philippine Art Awards, Regional Conqueror, Jurors Pick Award aristocratic Merit, Manila
2018 - Vermont Mansion Center, Brotherhood, Vermont
- Bellas Artes Projects, Principal in Dwelling, Bataan
2016 - YOD Veranda, Artist remove Residence, Osaka
SELECTED SOLO EXHIBITIONS
2023 - Deity Bless Discourse Trip, MONO8 Gallery, Manila
2022 - Song of praise, Underground Room, Manila
2020 - Empire, Westbound Gallery, Manila
2019
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Gregory Amenoff, president of the National Academy of Design (2001-2005), said of Silva’s work: "In McCubbin Stepanic`s work, the particulars of identity are only alluded to, whereas in the work of Silva and Raja they are fully explicit. Eliseo Art Silva offers us a panorama that directly and indirectly references both the original Filipino culture and the colonial history layered over it. Like few cultures in the world, the Philippine Islands have been territorialized by what seem to be tens of conquerors. Silva explores the complex layers of that world by employing a dreamlike atmosphere through which images of historical artifact float. This is not a representation of a single `mind`but rather the `mind`of an entire people - a collective memory. Within his work a voice is clearly heard, and it’s a voice that is hard to forget."
Jane Golden, founder and executive director of the City of Philadelphia Mural Arts Program said, "I had the pleasure of knowing Eliseo now for a dozen years. He is someone for whom this art form resonates deeply in his soul. He is someone who understand when you talk about muralism and what that means; and the connection between the Mexican muralists, and the WPA, the political art in this country dur
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Geraldine JAVIER captures a complex context of social, political, and historical circumstances which Philippines society was faced for decades, then reinterprets through her distinct perspective. Unlike her social-realist predecessors, Geraldine has variegated and extensive interests, who engaged in pursuing the personal and the idiosyncratic form of artistic expression. Geraldine’s works are full of tension and provocation, which are accumulation of cool, calculated sophistication with raw urban grit that influenced by international media and local pop culture. Geraldine constantly blends various types of material and media for her oeuvres, such as oil painting incorporated into installation art or combine multi-media object into canvas. Images of death, misery, dysfunctional relationships, and emotional violence are frequent subject matters that constantly depicted in Geraldine’s works, which are derived from her complex, viscous thoughts; and intimations, silent tensions and implosions of her art world.
The mise-en-scène that Geraldine depicts on her work always allude an image of a sacred altarpiece, which is derived from her intimate involvement with a religious iconography. “I had a primary and secondary Catholic education. The nuns taug