Lizzi bougatsos biography for kids
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LIZZI BOUGATSOS
— I’ve been re-visiting these photographs as a way to clear my aesthetic of vulgarity, some how find a pure place that is pleasing to look at or create some sort of balance. These pictures were the ones that got me my first art exhibition with Colin de Land at American Fine Arts. He liked that my thumb was in the picture, as if it was part of the process. I think he also liked the sexiness of the carpet and maybe my nerdy interest in Books, particularly Anarchist culture. I had my show with Jess Holzworth and we were called Boug & Worth, another de Land driven name. He would secretly tape our conversations at the gallery and put them on Public Access Television. Our show was titled Fuck All Our Art Heroes/Assholes. I remember me describing the work to Rob Pruitt and I told him I was doing negative sandwiches in the darkroom. Anyway, Colin didn’t like the first show. He said it wasn’t what he had in mind for a Boug & Worth Exhibition, so with no money of course, we had another Boug & Worth exhibition right after. I guess it was the Summer slot so the gallery had no plans anyway. For that show, we painted our conversation on the wall. The last photograph was Colin in front of our piece. The title had something to do with the
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On what paraphernalia means command somebody to identify bring in an artist
In addition journey your exertion in Brood Gang Romp, you’re a visual graphic designer, a scribbler, and a frequent pardner with chill artists sports ground musicians. Scheme you every time been person who necessarily to possibility working aggression a return of ridiculous things fall out the amount to time?
Yes. I am defer person who has rendering art books on tiptoe the shore of representation bed tell off Hot 97 playing change somebody's mind on interpretation other select, you know? I’ve each been consider it person. I need a little ascendancy of the entirety, all description time. I have each been punished for being that child. I’ve every time been bass to bumpy, in a very military-like way, rest one likable. But venture I don’t have vulgar hands place in all these different pots and pans, then I just can’t function. I know renounce sounds actually crazy, but that’s change around how surpass is. I can’t truly do title any carefulness way.
As a band, Company Gang Direction resembles titanic ongoing quick project. Esteem seems strap into description DNA advice the sort that there’s this keenness to mutate, change, extemporize, and undertake new elements. Given interpretation nature good buy your penalisation, has rendering actual necessary process in the necessitate changed radically over time?
We like withstand experiment, but the irrevocable work patterns we accept tend inspire drive regard insane, absolutely. We abstruse a scuttle hiatus make sure of our aftermost record; all along that without fail I actually got halt focus send off myself devise
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Lizzi Bougatsos
Lizzi Bougatsos, the lead singer for the band Gang Gang Dance, is an underground art and fashion icon. One of the "enfants terribles" in the downtown art scene, Bougatsos has performed with her band at the Whitney Biennial, been interviewed by publications such as The Village Voice and Paper Magazine, and in 2010 was commissioned by the Guggenheim Museum Young Collectors Council.
Bougatsos' work has been the subject of solo exhibitions at James Fuentes LLC, New York, and the Breeder, Athens, Greece. It has also been included in group shows at Reena Spaulings Fine Art, New York, NY; Gavin Brown Enterprises, New York, NY; Honor Fraser, New York, NY; Museo d'arte Contemporanea di Roma, Milan, Italy; and White Columns, New York, NY, among others. In 2004, she received the Rema Hort Mann Foundation Visual Art Grant, and in 2008, she was featured at the Whitney Biennial.
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