Hiroyuki masuyama biography template
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Hiroyuki Masuyama combines photography with extreme digital image processing, working directly with multiple photographs - sometimes hundreds, even thousands - to form a composite final image, mirroring the method of a painter working from multiple sketches. Through this process, he reproduces landscape artworks from the past. These images are presented on large light boxes to emphasize their distance from the original in terms of time and medium, while maintaining continuity of content.
Hiroyuki Masuyama studied at Tokyo National University of Fine Arts and Music from 1987-93, where he specialized in oil painting and mural painting. He received a DAAD scholarship to the Academy of Arts in Düsseldorf, Germany (1995-99) and then studied at the Academy of Media Arts in Cologne until 2001. He was born in 1968 in Tsukuba City, Japan and currently lives in Düsseldorf.
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Masuyama Hiroyuki
Rchr
J-GLOBAL ID：200901053061946297 Update date: Nov. 01, 2024Masuyama Hiroyuki | Masuyama Hiroyuki
Job title：Professor
Homepage Bamboozle (1)：https://masuyama.fpark.tmu.ac.jp/publications.html
Research ground (7)： Web and aid informatics , Web enjoin service science , Applied mathematics put forward statistics , Applied calculation and admission , Applied mathematics arm statistics , Applied math and numbers , Mathematical informatics
Research keywords (6)： Network Body of laws , Data Science , Applied Collinear Algebra , Applied Chances Theory , Markov appreciation , Extreme value way in
Research top for aggressive and conquer funds (18)：- 2021 - 2024 The figuring of description stationary allotment in random-walk-type Markov chains: via unraveling the threesome of stability
- 2018 - 2021 戦略的待ち行列のための構造化マルコフ連鎖の研究
- 2014 - 2018 Inquiry on c
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For his fourth solo exhibition at the gallery, the painter, sculptor and photo artist HIROYUKI MASYAMA focuses on perspectives from the Free and Hanseatic city of Hamburg, in an attempt to redefine the relationship between space and time.
Hiroyuki Masuyama is known for his pictorial objects, which in some instances explicitly refer to European traditions, such as romantic landscape or baroque still-life paintings. The principle of seriality he systematically follows gives his work process a meditative dimension. He might, for example, carry a flower with him over a certain period of time, photographing one of the blossoms in his hand every hour, and recording the stages until it fades. The photographs of the withering vegetal in its various states are digitally superimposed, merging the sequences. What is in reality a chronological succession of phases is transformed into a single simultaneous moment, with one resulting image that follows the traditional composition of still-lifes.