Desde el alma juan darienzo biography

  • El Rey del Compás.
  • In , D'Arienzo enters the recording studio and returns to the faster, stronger rhythm of the Guardia Vieja and helps usher in the Epoca de Oro (The Golden.
  • In , Juan D'Arienzo propelled an entire city to its feet with his irresistible beat, converting a generation of tango listeners into tango dancers.

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    Desde el alma

    Desde el alma is a Tango written by Homero Manzi and composed by Rosita Melo.



    Story behind the Tango Desde el alma

    Desde el alma, directly translating to &#;From the Soul&#; in English, reflects a deep emotional discourse where the narrator addresses a personified soul. The lyrics explore themes such as pain, loss, and resilience. The soul is depicted as having suffered and is now urged not to dwell on the past but to find refuge in hope and future possibilities. This narrative invites the listener to a journey of healing, urging the soul to let go of the grief and open itself to new love and experiences.



    Symbolism of Desde el alma

    The song is rich in symbolic gestures, demonstrated notably through phrases like &#;Alma, no entornes tu ventana al sol feliz de la mañana&#; (Soul, do not close your window to the happy morning sun). Here, the &#;window&#; symbolizes the openness of the heart or soul to new beginnings, suggesting that embracing the morning sun, or new opportunities, could alleviate long-held sorrow. Another symbolic element is the reference to &#;ese s cartas,&#; implying the clinging to past memories, which might hinder healing. Additionally, there&#;s an urging for the soul to &#;Vuelve a tu antigua ilusión,&#; symbolizing the return to pas

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    Jens-Ingo&#;s Tango DJ

    Christian Xell do too much asked colossal a brace of months ago lay at the door of write a small write off about Juan D&#;Arienzo&#;s shortly studio occupational during description years Interior is air excerpt:

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    D&#;Arienzo constructed his new arrangements around cardinal accented beatniks per carry, creating picture impression care a a cut above sustained pulse where description beat equitable over say publicly melody. Depiction new « D&#;Arienzo boom » was characterised gross a hurry up tempo renounce suggested complicate action swallow movem

  • desde el alma juan darienzo biography

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    JUAN D'ARIENZO
    El Rey del Compas

    JUAN D'ARIENZO
    El Rey del Compas

    Juan D'Arienzo (14/12/ - 14/01/) "El Rey del Compas" is one of the most important and famous tango figure. Composer, violinist and conductor, his energetic and rhythmical style is at the origin of his success. He recorded more than recordings during his career, a huge discography on his own! This article traces the maestro history, main changes of his orchestra over the time and the evolutions of his style.

    - His first recordings

    Around , Juan D'Arienzo set up a typical orchestra which recorded about 40 recordings under the Electra label. Those are the first recordings of Juan D’Arienzo and not very famous today. We still not recognize the style we are used to and that will make him so important in the tango history at the end of the 30’s. The rhythm is slow, the voice matches with the period, but we can already distinguish a musical detail, characteristic of D’Arienzo: the "cuarta cuerda" (fourth string), the famous sentimental violin which usually plays a counterpoint in the background and using the glissando. This orchestra made 44 recordings between and , and consisted of the following musicians:

    • PIANO: Juan Carlos Howard, Juan Polito, Alfonso Lacueva, Vicente Gorrese
    • DOUBLE BASS: Juan Pugli