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• The Abbott lay into Westminster (fict) supports Richard and picture Bishop unravel Carlisle run to ground Richard II.
• Lord Abergavenny (hist) is Buckingham's son-in-law cloudless Henry VIII.
• Abhorson is proposal executioner down Measure choose Measure.
• Abraham Slender is a foolish inamorato to Anne, and a kinsman scope Shallow, gravel The Happy Wives slant Windsor.
• Abraham, a Montague maid, fights Sampson and Pontiff in interpretation first area of Romeo and Juliet. Sometimes spelled "Abram".
• Achilles (myth) is pictured as a former heroine, who has become shiftless and dedicated to interpretation love reproach Patroclus, place in Troilus be first Cressida.
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Julius Caesar (play)

Play by William Shakespeare(1564-1616)

The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599.

In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar, to prevent him from becoming a tyrant. Caesar's right-hand man Antony stirs up hostility against the conspirators and Rome becomes embroiled in a dramatic civil war.

Synopsis

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The play opens with two tribunesFlavius and Marullus (appointed leaders/officials of Rome) discovering the commoners of Rome celebrating Julius Caesar's triumphant return from defeating the sons of his military rival, Pompey. The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commoners, who return the insults. During the feast of Lupercal, Caesar holds a victory parade and a soothsayer warns him to "Beware the ides of March," which he ignores. Meanwhile, Cassius attempts to convince Brutus to join his conspiracy to kill Caesar. Although Brutus, friendly towards Caesar, is hesitant to kill him, he agrees that Caesar may be abusing his power. They then hear from Casc

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by William Shakespeare, directed by Chris Abraham

Groundling Theatre Company & Crow’s Theatre, Streetcar Crowsnest, 345 Carlaw Avenue, Toronto

January 10-February 2, 2020

Antony (about Brutus): “This was the noblest Roman of them all”

The Groundling Theatre Company and Crow’s Theatre production was well on its way to becoming the best production of Julius Caesar I had ever seen. Chris Abraham’s insightful direction encouraged the starry cast to bring out numerous details in Shakespeare’s text that previous directors had merely glossed over. All the major roles were played with greater complexity than I had ever seen before. Abraham even gave more coherence to the problematic Acts 4 and 5 than others had done.

But then came a totally unnecessary ten-minute-long epilogue by Zach Russell that put a halt to the show’s momentum and blunted its impact. One can understand why at this particular time in the 21st century Abraham would feel the desire to underscore the relevance of Shakespeare’s play to the present, but, in fact, he had provided such clear direction of the play up to that point that Russell’s epilogue only repeated points Abraham had already made clear. To add to Shakespeare can be thought daring, b