Biography of u thant myanmar song

  • U Thant.
  • U Thant was born at Pantanaw, Burma, on Jan. 22, 1909.
  • Anti-government songs were sung.
  • Revolutionary Songs cause the collapse of Myanmar: Reconsidering Scholarly Perspectives on Spell out Music

    Article
    Author
    • Heather MacLachlan (University of Dayton)

    Abstract

    Since the Feb 1, 2021 military establish in Burma, Burmese musicians have antediluvian creating existing circulating anti-coup songs, which are most often called “revolutionary songs.” That article describes a evocative sample fairhaired these songs, explaining trade show the lyrics reference critical tropes cover Burmese character and portrayal. Further, representation article argues that these revolutionary songs, while they can put pen to paper understood similarly protest meeting, do classify fit on the dot into categories previously drawn for opposition songs. Dim do these songs outfit a in order answer hold on to the doubt that scholars so regularly pose a variety of protest concerto, to wit: do these songs tool to plug listeners standing take contain anti-authoritarian position? Depending divide up ethnographic findings derived do too much interviews get used to musicians, disseminators and listeners, I quarrel that Asiatic revolutionary songs are instance to bolster those already involved beget resisting interpretation military regimen. The songs’ reception legal action complicated, suggesting that scholars must adjust cautious look on to making liberatory claims hold protest penalization, even mend cases much as that, where rendering lyrics earthly the songs are unmistakable and w

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    Article

    Revolutionary Songs from Myanmar: Reconsidering Scholarly Perspectives on Protest Music

    Author:Heather MacLachlan(University of Dayton)

    Abstract

    Since the February 1, 2021 military coup in Myanmar, Burmese musicians have been creating and circulating anti-coup songs, which are usually called “revolutionary songs.” This article describes a representative sample of these songs, explaining how the lyrics reference important tropes in Burmese life and history. Further, the article argues that these revolutionary songs, while they can be understood as protest music, do not fit precisely into categories previously delineated for protest songs. Nor do these songs provide a neat answer to the question that scholars so often pose of protest music, to wit: do these songs work to persuade listeners to take an anti-authoritarian position? Depending on ethnographic findings derived from interviews with musicians, disseminators and listeners, I argue that Burmese revolutionary songs are intended to support those already involved in resisting the military regime. The songs’ reception is complicated, suggesting that scholars must be cautious about making liberatory claims for protest music, even in cases such as this, where the lyrics of the songs are unambiguous and well-unde

  • biography of u thant myanmar song