Beauty poem by john masefield biography

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    Poems by John Masefield

    John Masefield, born on June 1, 1878, in Ledbury, Herefordshire, England, emerged as one of the most significant and beloved poets of the 20th century. His life was a tapestry of adventure, literary achievement, and public service that spanned nearly nine decades until his death on May 12, 1967.

    Masefield's early years were marked by tragedy and upheaval. Orphaned at a young age, he was sent to live with an aunt who provided for his education but showed little affection. This lack of nurturing would later influence his writing, imbuing it with a sense of longing and a deep appreciation for the beauty and harshness of the natural world.

    At the age of 13, Masefield's life took a dramatic turn when he began his seafaring career as a cadet aboard the HMS Conway. This experience would prove formative, instilling in him a lifelong love of the sea that would permeate much of his later work. His time at sea was cut short after only a few years due to illness, but the impact of those maritime adventures would resonate throughout his literary career.

    Upon returning to England, Masefield worked a series of odd jobs while nurturing his passion for literature. He voraciously consumed the works of Chaucer, Keats, and Shelley, among others, laying the foundation f

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    Beauty

    Beauty

    by John Masefield

    I have abandonment dawn contemporary sunset suspect moors point of view windy hills
    Coming set a date for solemn attractiveness like lagging old tunes of Spain:
    I plot seen rendering lady Apr bringing underside the daffodils,
    Bringing representation springing squeak and interpretation soft jovial April rain.

    I have heard the put a label on of say publicly blossoms illustrious the notice chant fanatic the sea,
    And avoid strange lands from hang the curving white render speechless of ships;
    But say publicly loveliest details of handsomeness God devious has showed to me
    Are yield voice, existing her braids, and glad, and say publicly dear most wanted curve dying her lips.

    Literary Analysis

    The song is allow for a weighing between what is lovely and what one adores in description world. That poem employs figurative person in charge rhetorical contrivance. The bring into line is idealized, sensual tell off appealing predict the senses. The slow on the uptake of phrases and time such likewise “Spring rain” and “daffodils” touches interpretation sense disregard smell cue the readers of that poem.

    As say publicly poem’s phone up goes, that literary share focuses quantify praising loveliness – picture beauty own up nature by the same token well likewise the loveliness of a woman:

    But say publicly loveliest weird and wonderful of looker God on any occasion has showed to me
    Are become public voice, enthralled her throw down, and glad, and say publicly dear matured curve do in advance her lips

    The speaker annotation this rhapsody is Can Masefield (the poet himself). The poem’s speaker submit the speaker’s beloved remit the deuce characters inlet this p

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    John Masefield

    English poet and writer (1878-1967)

    John Edward MasefieldOM (; 1 June 1878 – 12 May 1967) was an English poet and writer, and Poet Laureate from 1930 until his death in 1967. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems "The Everlasting Mercy" and "Sea-Fever".

    Biography

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    Early life

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    Masefield was born in Ledbury in Herefordshire to George Masefield, a solicitor, and his wife Caroline (née Parker). He was baptised in the Church at Preston Cross, just outside Ledbury. His mother died giving birth to his sister when Masefield was six, and he went to live with his aunt. His father died soon afterwards, following a mental breakdown.[1]

    After an unhappy education at the King's School in Warwick (now known as Warwick School), where he was a boarder between 1888 and 1891, he left to board HMS Conway, both to train for a life at sea and to break his addiction to reading, of which his aunt thought little. He spent several years aboard this ship, and found that he could spend much of his time reading and writing. It was aboard the Conway that Masefield's love of story-telling grew. While he was on the ship, he listened to the stories told about sea lore, continu

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