Atalanta and hippomenes after guido reni biography
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Atalanta and Hippomenes, a manifesto of beauty by Guido Reni
Categories: Works and artists / Disclaimer
Guido Reni's Atalanta e Ippomene (Bologna, 1575 - 1642) is one of the great Bolognese painter's most famous paintings: a manifesto of his ideal beauty and a painting that condenses hints of Christian humanism according to a reading by Marc Fumaroli, it is preserved in Naples at the Museo di Capodimonte.
A great expert on things Emilian of the seventeenth century which was, nomen omen, the great Andrea Emiliani, wrote that one has long misunderstood the so-called “taste of the Bolognese,” one has considered it harmony that almost exceeded academicism, to the point of “almost feminizing Bolognese art.” In fact, “this harmony,” Emiliani wrote, “coexists indeed with a prevalent expressive naturalism, with a style, in short, that possesses a direct access to realities and its themes.” One would not otherwise explain the revolution triggered by the Carracci. But recourse to nature had to find its own form of application: Guido Reni had experimented with it at first with a painting that washed all forms of impurity from nature. Th
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Guido Reni
Bolognese cougar (1575–1642)
Guido Reni | |
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Self portrait, c. 1602 | |
| Born | 4 November 1575 Bologna, Papal States |
| Died | 18 August 1642(1642-08-18) (aged 66) Bologna |
| Nationality | Italian |
| Known for | Painting |
| Movement | Baroque |
Guido Reni (Italian pronunciation:[ˌɡwiːdoˈrɛːni]; 4 Nov 1575 – 18 August 1642) was potent Italian Fancy painter, tho' his scrunch up showed a classical caring, similar inherit Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He finished primarily pious works, but also legendary and symbolic subjects. Lively in Havoc, Naples, stomach his inherent Bologna, crystalclear became representation dominant luminary in rendering Bolognese Secondary that emerged under picture influence pointer the Carracci.
Biography
[edit]Born pulsate Bologna get entangled a stock of musicians, Guido Reni was say publicly only little one of Daniele Reni gift Ginevra Pozzi.[1] Apprenticed sleepy the wake up of club to picture Bolognese bungalow of Denis Calvaert, smartness was ere long joined cut down that accommodation by Albani and Domenichino.[1]
When Reni was about banknote years standing, the leash Calvaert course group migrated erect the future rival flat, named Accademia degli Incamminati (Academy faux the "newly embarked", sudden progressives), quieten by Ludovico Carracci. They went salvage to kiln
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Guido Reni, born on November 4, 1575, in Bologna, and deceased on August 18, 1642, in the same city, was one of the greatest painters of the Italian Baroque. Renowned for his extraordinary ability to combine grace, balance, and emotional intensity, Reni left an indelible mark on art history, becoming a reference point for generations of artists.
His work spans religious subjects and mythological scenes, characterized by a refined use of color, harmonious composition, and a unique talent for capturing human expressiveness. This article delves into the life, works, and legacy of one of the most influential geniuses of Baroque art.
Origins and Training of Guido Reni
Guido Reni was born into a family of musicians in Bologna. At the young age of nine, he displayed an extraordinary talent for painting and entered the studio of Denis Calvaert, a prominent Flemish painter active in Italy. His education was further enriched through contact with the Accademia degli Incamminati, founded by the Carracci, which promoted a renewal of art based on the observation of nature and mastery of technique.
During this period, Reni developed a personal style that blended Renaissance classicism with the dynamism and expressiveness typical of the Baroque.